Monday, January 21, 2013

How Dry I Am

When I was a kid, I was charged with the task of going door to door to sell trinkets for an upcoming high school band tour.  I stumbled upon an outwardly appearing run-down darkly house which sat back in the shade of the woods.  The garage was on street level and to get to the house you had to ascend a few dozen well healed moss carpeted concrete steps which had re-settled from the countless heave-ho of winter frosts past.  I was hesitant to knock because the people inside would be either very poor or witches looking to eat small children.  I knocked anyway.  A portly and agreeable old woman answered the door.  She was wearing an apron and had a frenzied whorled dust cloud of flour chasing after her.   She looked at me with suspicion as I rattled off my memorized spiel about the salt and pepper shakers I was pawning. 

"Salt and pepper shakers?"  Her face lit up with glee.  At that I was invited in where she ushered me into the deceptively warm and brightly lit living room which I entered with alacrity at the prospect of a sale.  There, proudly displayed in a  huge china cabinet where hundreds of shakers which she had purchased from around the world.   She and her husband used to be circus musicians and at each city they performed, she would buy a set of local shakers.  The shakers ranged in size, shape, material and utility, many signed by the artisans who crafted them.  She commented how there were many more stored in boxes somewhere and she had also given several starter collections to her grandchildren with the hope to inspire one of them to discover the joy of collecting and maybe even instill in one of them the curiosity and hunger for world travel. 

The husband then emerged from a nap and sauntered into the living room to see what the ruckus was about.  He was tall, rail-thin and lithe bodied for his age.   I told them how my grandmother was a cook and nurse for a circus and how my mother traveled with them until she was about the age of ten.  She was raised by a community like none other.  Not because they were clowns, acrobats or animal trainers, but this Hodge-podge of diverse people who were running after or from something were instant family who cared for and watched out one another.  My mother helped with the cooking and medical care and was also used as a plant in the audience by some of the acrobats and clowns.  I was an instant hit with this old couple since we had so much in common.

I feel so bad right now that I can't remember their names.  My grandmother once told me that people suffer two deaths; The first when your physical body dies, and the second when the last person who knew you ceases to utter your name.  I hope there are  great grandchildren somewhere with a treasured collection of salt and pepper shakers who remember and can call this long gone couple by name.

The old man told me he was a piano player, violinist and conductor with the circus and at that, sat down at the piano and with his long lanky fingers ripping off a wonderful treatment of "Alexander's Ragtime Band."  He then invited me to play and I remember hashing out a song from the sixties called "You Send Me."  He immediately retrieved his violin and joined in.  After we finished as if on cue, his wife emerged with cookies and lemonade.  The old man asked me the name of the song we just played and I was amazed that he could just pick it up like that without knowing it.  He explained to me the magic of the I vi ii V7 progression.  I was floored.  None of  my classical teachers ever taught me this seemingly mystical knowledge of musical annealment. 

He then pulled out some old sheet music bearing his name.  He was also a composer, too!  He showed me both the finish product  and the original handwritten copy for one piece.  He told me that whenever he composed something, he would send it to this guy in NYC who would then analyze the work for mistakes and would offer harmonic and melodic suggestions.  He would also highlight every phrase and parse out the melody, scribbling in the white spaces and margins the names of other songs which used the same melodic structure, intervals or rhythm.  The old man opined that there are no new melodies or chord progressions anymore, just different ways to play or mix and match them. 

I never went back to visit this couple.  At the age of fifteen or so, I didn't realize the treasure they really were or the vault of knowledge and experience they possessed which was free for the taking.  What an invaluable resource they could have been for stories, music theory, history, travel, inspiration and above all:  sharing the wonderful gift of life and friendship.  That one day experience taught me things which for a long time, I was unable to share with teachers or peers.  Their lack of this knowledge was okay, I guess.  One does not need to know how an internal combustion engine works in order to drive a car.  Some people are content resigning themselves to ignorance however, today's computers would never have been invented had someone first not wondered about lightning or a light bulb, a wire, a toaster, ones and zeros, or a memory chip.

So, keeping in mind the concept that there are no new melodies anymore, I present you with my rendition of "How Dry I Am."   Listen for the same four notes - which can be found in thousands of songs. 

By the way, out of politeness, the old woman purchased a set of my relatively pedestrian shakers.  With a mild bit of shoving and maneuvering, she proudly ensconced them to the limited real estate of her already crammed shelves.  My contribution to the glorious mélange was no match for the works of colorful art, exquisite material and the other hand crafted denizens of the china cabinet.  She made a naive young boy feel very proud.  Yet another gift that day, for the taking.
m. kogut

Sunday, January 20, 2013

Slides On Colden Mountain

The Adirondack Park is a venue of arresting beauty.  With a surfeit of lakes, ponds, streams and  waterfalls, to cliffs, peaks, ledges and boulders, the park's labyrinthine network of trails offer every hiker a wide range of difficulty, challenge and visions of beauty.  In the esoteric parlance of the down hill skier, the hiker can draw a parallel and compare them as green circles, blue squares and black diamonds.  There is another trail, not man-made, which could be delineated as the rare yellow diamond trail:  The slide. 

Slides not only offer a visual scar on a mountain which can make it easily recognizable from a distance, but they also offer an alternative ascent up a mountain for those brave enough to tackle one and determined enough to bushwhack their way to the tumbled resting place of a slide.  Almost cliff-like, many of these trails can be so steep that from a standing position you can reach out in front of you and touch the ground.  Slides offer that rare posture in the repertoire of hiking positions between climbing and scrambling on all fours.  Quite often you can experience a double fall line where gravity is pulling you in two directions at once.

The Trap Dike on Mount Colden is one of my favorite trails to hike.  Colden, a middling peak between Marcy and Algonquin is also host to several beautiful-awful landslides.  The newest occurred last year during Hurricane Irene right down my beloved Trap Dike Trail.  Included here on this page are a before and after picture. 

I wrote the following poem back in the nineties when my hiking pal Nancy and I would drive up to the Adirondacks each week to explore the many nooks and crannies of the park.  This poem is about the slide on the Marcy side of Colden ("Tahawus" is the Native American name of the mountain which WE renamed "Marcy" shortly after we took it from them.  The Native American name means "Cloud-Splitter."  More on the Cloud Splitter and the Tear-In-The-Cloud in another post).

Colden Slide

On descent from Tahawus mountain,
peers a streak of quiet healing
pallid cut from rocky fountain
hurling tree and boulder reeling

Seized with visions to inquire
this track of slide, so quick to tear
fears unfettered I now inspired
to know what had existed there

Through twining woods and logs enmeshed
I made my way to see reposed
the granite muscles and mountainous flesh
that Colden’s torrents of stone exposed

The path advanced close to the scar
plunged manifold headlong to base
trees crushed under enormous rocks
the primal forest’s coat defaced

This irresistible and awful force
broke through the woods with foaming path
dashed wildly down a rocky course
its very flesh with pealing wrath

A pebble mashed declivity
with massive logs peeled by decay
thickly scattered skeletons
of gray dead trees from slide affray

Piling at its base a mass
of debris from its crowning seat
filled the eye with awful chaos
rocks from lap now at its feet

This slide, a path that wanted walking
lures on up the failing trail
where once in time, its woodland stalking
left its warning, below, impaled

How humble on this force immortal
lurking in the earth beneath
that eased itself of shrub and soil
and showed to all its iron teeth

This median mount of fallen masses
bends its vassal-knee to none
the only witness to its ravage
were frowning Tahawus and the sun.

Fearful at the time of launching
terrific slides that gash and rush
Still, Colden Mountain on its haunches
waiting, lurking, to ambush

-Malcolm Kogut.


Friday, January 18, 2013

Cocktail Piano

Here are a series of old recordings I found from the mid eighties when I played seven nights a week at the Gideon Putnam Hotel in Saratoga, NY (Maybe 1984).  During the horse racing season the place would be packed with race enthusiasts and visitors to the Saratoga Performing Arts Center.

These recordings were most likely made in the winter months because during the summer I was usually accompanied by a violin player named Gene Usher.  Also, the piano was positioned with my back to a window where there was a heat register beneath me.  There was a constant flow of both hot and cold air and it was impossible to maintain tuning on this studio upright piano which I beleive was a Steinway. 

These recordings were of my standard cocktail-background music-hint of jazz style.  I would sit and play a medley of five or six songs pausing only for requests or to acknowledge polite applause.  Since SPAC was in the back yard of the hotel, I would see many famous people filter in for a drink or dinner.  I once walked out for a break when the two bearded guys from ZZ Top walked in.  They split and I walked right in-between them. 

My most memorable night was when members of the NYC Ballet came in so I played lite works from Schumann, Schubert, Chopin and Beethoven.  A few of the dancers did barre at the bar.

Waltz in F, Who Can I Turn To
http://youtu.be/MiNimBwJ-e4

Always, It May Be
http://youtu.be/bGLk1EUZCr4

My Favorite Things
http://youtu.be/nXvsYsztxpQ

September Song, I'm In the Mood For Love, Stella By Starlight
http://youtu.be/Nazy_PGjOFA

Thursday, January 17, 2013

The Plotter Kill Waterfalls

The Plotter Kill Preserve (located in the town of Rotterdam on Route 159) contains 632 acres of rugged hardwood and coniferous forest along the Plotter Kill, a scenic tributary to the Mohawk River. The gorge of the Plotter Kill was cut by melt waters at the close of the ice ages about 10,000 years ago. The ledges give the stream its name: platte (flat) and kill (creek).  There are beautiful slate bottom swimming holes throughout the stretch of the kill, shouldered by networks of cascading falls and drops. 

The Plotter Kill drops 900 feet in its 3.5 mile descent from Rynex Corners to the Mohawk River. There are three spectacular waterfalls: the Upper Falls, Lower Falls and the Rynex Creek Falls at the junction of Rynex Creek and the Plotter Kill. All are magnificent sights in spring high water (or right after a hurricane).  The Upper Falls is 60 feet high, and the others are 40 feet.

The Plotter Kill Preserve is wonderful for nature study. Over 600 species of plants have been found in the area including: trilliums, violets, lilies, ferns and club mosses.  The fields off of the Coplon Road parking area are bursting with wildflower nation.  There is also a large range of insect, bird, mammal and amphibian life which can be seen mostly to those with gentle tread.  Many of the trails lay host to the peripatetic orange newt so watch your step in the summer. 

Some of the local diners and restaurants located near the five corners where you can grab take out or re-energize after a hike are:
Broadway Restaurant and Lunch
Lucia's Two Go
McDonalds
Tops Diner
McLanes Deli Restaurant
Duncan Donuts
Subway
Country Farm
Poppy's Ice Cream

Tuesday, January 15, 2013

Texting Laws

A man on the street was bent over searching for something on the ground when a passerby approached and asked him what he was doing;
"Looking for my car keys."
the slumped seeker sighed.
"Where did you lose them?"
the passerby piqued.
The hunched over man replied with a dismissive head gesture,
"Across the Street."
"Then why are you looking over here?"
the passerby queried.
The car key seeker said,
"The light is better over here."

That is what a lot of the laws which congress passes are like.  They are useless feel good legislation which don't really do anything.  They seek solutions to problems and issues but in the wrong place.  It does however make the sponsors of the light-seeking-law look good when it comes time for re-election  but that's about it.  Governor Cuomo (D) of NY recently came under fire from Conservative Party Chairman Mike Long because Cuomo passed a gun law which does nothing to protect people but does further his political career.  A lot of these laws bring in barrels of money via fines and tickets and police departments may even receive grant money for new toys, computers and staff - which is all good for the town coffers.

The city of Troy in NY purchased a computerized gun shot triangulation system to pinpoint the approximate location of where a gun is fired from anywhere in the city.  They discovered that a 911 call does the same.  This system was paid for through grant money and tax payers.  It hasn't deterred crime.  It only taught the criminal that they need to leave the scene faster.  That system is now for sale.  I bet you can buy it from them cheap.

Murder is against the law but people still do it.  Smoking marijuana is against the law but people still do it.  Cheating on taxes is against the law but people still do it.  Eighteen year old adult high school senior students who have sex with their sixteen year old infant high school sweethearts is against the law but these hormone enraged pedophiles still do it.  Drinking and driving is against the law but people still do it.  Texting while driving is against the law but people still do it.  The no-texting law is one such law which I beleive has made society and our roads less safe - because people still do it - only now, less safe. 

A friend asked me to ride with her to the mall because she needed help getting supplies for a birthday party she was hosting.  While driving, she rummaged through her purse and pulled out her cell phone, placed it on her knee, then began typing one letter at a time.  I asked her what she was doing and she said that she was posting a status update on Facebook to let everyone know where she was.  I told her that texting while driving was against the law but she said that she would be careful.  We eventually got there and made it safely home in one piece despite two more texts and the attendant reading of the replies which began filtering in almost immediately.  I thought to myself - what are these people doing reading Facebook?  Why aren't they out living REAL life for themselves?

When I used to text while driving, I would hold my phone up over the steering wheel so that I could see both the road and the phone at the same time.  This was even more safe than using a GPS which was positioned less in my line of vision, or even more safe than looking down to change a radio station.  Texting laws are making our roads less safe because people don't want to risk getting a ticket so, they are texting in their lap rather than texting more safely in sight of the road.

Of course texting while driving is not safe at all and people should employ common sense and respect for other drivers by NOT DOING IT.  I'm not worried about me getting in an accident, I'm more worried about the other driver getting me into an accident.  Surely, any text that is so important that it must be fired off at that particular moment is worth pulling over to do properly and safely.  You don't want your last Facebook update to be "Traffic is horrendous tod . . ." 

Programming the GPS, adjusting the raido, putting on makeup, flossing teeth, eating or even talking to someone in the passenger seat can be equally distracting.  It all really depends on each individual and their multi-tasking skills but even so, if the law isn't doing anything but making the roads more dangerous, what can be done?  Pass more laws?  Increase the prison time for Facebook updaters?  Ban Facebook?  Make it a law that you have to text in front of the steering wheel?

Enter WRGB, channel six;  Each morning during the news they run PSA's about texting and how dangerous it can be.  They list the statistics of how many deaths there have been during the past year because of texting; How many accidents; How many feet you will not be in control of your vehicle should you look down for a moment; How many children were killed because of texting parents; How much it costs the insurance companies which is then passed down to everyone else. 

The greatest public service WRGB has provided is that they have asked viewers to take a "No Texting Pledge" at the WRGB website.  I haven't formally taken the pledge but their ads have awakened me into being a more safe driver.  I bet their announcements, ads and pledge campaign have prevented more accidents than the laws have.  I'm also willing to bet that the law has caused more accidents from people trying not to get caught and ticketed because they are texting more surreptitiously and dangerously in their laps. 

When given the choice between educating people so that they change their habits or, passing a law which many people will try to evade for whatever reason, I am sure that more people would say that education is a more powerful tool.  But then, if not passing feel-good-legislation, what would our elected officials do with their free time?

Sunday, January 13, 2013

The Spider’s Web Across The Trail

The worst part about leading a horde of hikers up a woodland trail the first thing in the  morning is that the leader is the one who breaks through the midnight diligence of our eight legged friends.  So, I penned a poem:

The Spider’s Web Across The Trail

The dawn was sketching faint outlines
I observed the sunrise artist as I awoke, supine
The winds to the trees, they whisper “awake”
where the mountain’s children come to life
and a bird with an angelic gift flies by
and conducts a forest symphony as morning breaks

A rough trail leads upward and is lost in the wood
and it steers where I’m destined in all likelihood
As I start my trek upward I feel something cling
and I swiftly break through it
With no sympathy to it
this harp-like spread of spider web string

Further up the mountain slope, once again, tis no surprise
I crash through the gossamer web of a spider, but, I’m many times his size
He must know this path is well traveled by day
he must suffer displeasure for he worked through the night
only losing his trophy with nary a fight
But can brag to his friends of the catch - got away

I break through these webs with hardly a care
while this poor trembling spider just sits there and stares
for the indwelling spider will not run to this fly
I will steel dimly forth on the path that I hike
paying little attention to the threads that I strike
He’ll just wait till I’m gone and go on with his life

To string up web filaments end to end on these trails
is a feat that I know not of what it entails
I stop to observe and become more aware
of the leaves I have trodden or of life’s hurtful scars
and I pity you, spider, wherever you are
‘neath the surface of life, there’s much more lingering there

So, I’ll watch for your dancing o’er the corpse of a fly
and pause if I see you as I walk on by
for you, death’s important, a triumph, a win
in your secret funnel where eyes are excluded
I’ll know that you’re there in your tunnel, secluded
I’ll look at you, wondering from outside, what’s within

-Malcolm Kogut.



Saturday, January 12, 2013

Playing with Soul

"Tell me a fact, and I'll learn. Tell me a truth, and I'll believe. But tell me a story, and it will live in my heart forever."
- Steve Sabol, President of NFL Films.

One of the most difficult questions someone once asked me was about what I planned to do in the future to further improve or educate myself musically.  I knew the answer existed but I could not then delineate it.  A second difficult question was "How do I learn to play with soul?"

About ten years ago a convergence of events and opportunities presented themselves to me.  I was musically stuck and I thought I achieved all I could achieve.  I was energized for growth but seemed to lack the tools, colleagues and inspiration thereof.  I started looking for a new job.  I was also working for a cleric who was not a very good human being on so many levels.  When we were converting the rectory basement to a youth meeting room the contractor found decaying asbestos hanging from the pipes and he wouldn't take the job.  A new contractor was found for the job and he surprisingly didn't find any asbestos.  Hmmph.  Then when we purchased a building to expand our parking lot, there was asbestos found in the basement and the bid to remove the asbestos and demolish the structure was $80,000.  The bid from a second contractor who didn't find any asbestos was only $30,000.  Praise Jesus the church didn't incur any additional expense for apocryphal asbestos removal and, in sixty years when our children develop lung cancer, well, there will probably be a cure.  Praise Jesus again. So, who is the greater monster; someone who is, for instance on the sex offender registry for urinating in public (that pervert) or a cleric who discernibly hurt no one?  To think major industrial companies got away with these activities for decades.

I was at the height of my then musical skill yet at the lowest in inspiration, I continued working and going through the motions but still did not sense growth.  I didn't know why.  I still did my job to the best of my abilities and even have a letter from the Bishop's office stating that I had the best music program in the whole diocese.  Something was still missing.  It was then when I gave up my pursuit of music that I began to grow.  I had another "cease and desist" about five years later, another about a year after that and I am ascending the precipice of one right now.  The less I did in search of soul through discipline and structure, the more I found it.  I played the Broadway Tour production of "Les Miserables" and there was an inspirational line sung by the unholy trio of Jean Valjean the convict, Fantine the prostitute and the lying Bishop: "To love another person is to see the face of God." 

When you go to college and immerse yourself in books, lectures and study, you come out with knowledge, inspiration, drive, energy and maybe even technique.  Much of that is rooted in academia and, it is good.

I then started volunteering answering two suicide hotlines. I would spend hours listening to a caller's struggle with drug abuse, addiction, homelessness, joblessness, arrest, domestic and sexual abuse.  Many of my callers were feeling lost, alone, forsaken, abandoned or ostracized.  I quickly realized that these were normal, ordinary people all of us would encounter on the streets, in our homes, in our churches, our neighborhoods or in the stores on an everyday basis.  When a caller was reticent to allow me to steer them into their pain, I could keep them on the line and safe from harming themselves by talking about music, hiking, religion or travel; Anything we had in common.  It was easy for me to let go of all that pain and stress when I hung up.  I would also go home and practice the piano, go to a rehearsal, or study the Gospel readings for Sunday.  I would sometimes talk about the pain in the world to my music friends, church friends or hiking buddies while on a trail.  It was my form of debriefing and, I would play the piano with the life of others on my mind.

While keeping vigil at a homeless shelter for men, I would sometimes talk to the guys late at night and discover that many of them were once professionals, family men and dreamers.  Some of these peripatetics were running from a past, a future, a crime or just wandering hoping for a break.  Interestingly, many of them were very spiritual. We would talk of hiking, travel, music, religion, carpentry or plumbing.  One once sat at the piano and ripped off some ragtime.  Another 20 year old sat in a corner with his guitar, composing a tune.  I would then go to my church the next morning to prepare for my weekly recital where I would spend the day alone in the church with music - pondering the many wonderful stories I just heard and shared.

I taught GED classes for about two years.  Many of the students were in their early 20's and dropped out of school because of drugs, gangs, arrest, to be providers to their baby's momma, or they had unstable family lives and were kicked out of their homes.  Most all of them were very smart - such as the drug dealers and gang members and not only in the street sense.  Their math skills surpassed mine, especially in the metric system (how drugs are measured).  The women who gave birth in their teens had a tenacity, ferociousness, courage and work ethic which could only have been borne out of being thrust into adulthood at an early age, like gold tested in fire.  There is an earthy difference between one of those moms as opposed to someone who went to college, started a career, then planned and prepared to have a baby and start a family.  A common denominator for all these people was the copiousness of music.  It was sinuously networked throughout their life from listening, jamming on a stoop, in a car, in an alley or dancing in the street.  They could recite thousands of lyrics because it was how they communicated and communed.

I recently "purchased" through a donation to PBS  the complete five disc set of the Ed Sullivan Show and three discs containing footage from the original Woodstock concert.  The musicians were young kids, uneducated in music theory, harmony and technique. However, they were musicians with talent and confidence most of us could only dream of achieving in a lifetime.  Why is that?  Because music was the fabric of their lives.  They ate it, drank it and slept it (and smoked it).  Music was part of their social landscape. They made music on stoops, in fields, in cars, living rooms, basements, garages, jail cells and to escape their parents.  Then one day someone would say "Let's start a band" and the rest is history.  Music wasn't their goal in life, it was the inspiration thereof.  They didn't have time to study it because they were living it.  Their teachers were not professors in a classroom, but practitioners who were doing it. Music then became a tool to educate others about the evils of legislation, war, poverty, persecution, prejudice, dumping of pollutants (like asbestos) . . . every struggle in life which created, BTW, good music.  They suffered oppression, suppression and arrest, then they sang about it.  A great example would be Arlo Guthrie's "Alice's Restaurant."

The early African slaves sang in the field to pass time, to keep time, to remember stories from time long ago, to pray for salvation and to surreptitiously speak in code right under the noses of their white masters.  Early Jews and Christians sang songs around campfires to remember history, impart lessons and share stories of the wonderful deeds of God such as the parting of the Reed Sea and saving the oppressed, the story of Adam and Eve and original sin, The Christmas Story and the death of the Holy Innocents, Noah and the great flood which eradicated evil from the earth, etcetera. 

My most favorite church service of the entire year is the Easter Vigil Mass, starting with the magnificent Exultet extolling the power of God, all sung by firelight.  Then there are several more stories accompanied by songs again, all by firelight.  Done properly and in its entirety, this service could take up to four hours.  Most churches cut it down to one and a half to two.  Praise Jesus - but not for four hours.  WWJD.

At this stage in my life I don't need to study music as I did in my youth.  Despite continuing to do so because there is much I want to do but can't, I found that there are other things which can improve my "soul."   The music is already in me and around me, under rocks and in the wood. I need to work at being a conduit between instrument, God and people.  A trinity within the thin-spaces.  It is not enough to study music, to make music or to share music.  Music is an expression of life and that is where its growth lies: in the pain, struggle, joy, excitement and transformation of one another.  For, out of what we live and we believe, our lives become the music that we weave.