When a church focuses on sin, they focus on what the church is not
called to be. When they focus on forgiveness, mercy, grace and
compassion, they focus on what the church is called to be. Where can
we learn this if not from the pulpit? Our music.
A friend of
mine was hired to oversee a large music program at a church with about
2,000 families. One of the groups in the church which he didn't have
authority over was the folk group. This group consisted of several
singers who sang back up to a soloist. The soloist was a very active
wedding singer and the drummer in her band was also the drummer for the
folk group. They also had a saxophone player who improvised a blizzard
of 64th notes on every song.
The "audience" loved the music.
The music was alive, vibrant and energetic. Everyone clapped along, it
was very entertaining, they listened and they loved it. Each and every
Mass was a concert of the highest caliber. The new priest noted that
nobody at that Mass was singing, they just listened. Many people,
especially musicians, would not be alarmed at this as long as the people
were happy but, the sweetest sound a pastoral musician can hear is that
of a congregation singing while fully and actively participating in the
liturgy, not just listening.
If you were to attend the ritual
of a birthday party for someone you cared about and right before you
were all to sing the song Happy Birthday, someone hijacked the singing
by doing a campy, over the top or stylized version of the song, the
focus would be on the singer/performer, not the person celebrating the
birthday. Liturgy is much the same. The congregation participates in
the ritual by singing and if a band does it "to" them, the congregation
doesn't need to do their part as the "actors" of the liturgy, it is done
for them and they are the "audience." In the theater model, God should
be the audience and the congregation the actors. The musicians would
assume the role of prompter.
In my friend's church, the sax
player was asked to play only the melody so that his torrent of notes
didn't get in the way of the congregation's participation but he
replied that the priest was trying to stifle his creativity. Therein is
the confusion. The liturgy and music is not about the musicians. It
is about the people. Musicians are not there to do the work of the
people, they are there to support the participation of the people. If
we need to show off our musical ability, there are bars for that.
Why Singing Is So Important: Believe that life is worth living and your belief will help create the fact.
There
is an old African saying that "We are the stories that we tell." We
are what we believe and stories are the foundation of our identity.
There is a saying among pastoral musicians that "We are what we sing."
That is why singing in church is so important. Singing scripture gives
us the opportunity to enflesh the Word. Singing is not only "praying
twice," but combining scripture with melody and rhythm further helps to
get it in our brain, heart, sinew and soul. I think it is interesting
that medical science calls breathing “respiration.” The root of
respiration is SPIRIT – re-spir-ation. We re-spir-ate, take in
Spirit. Singing oxygenates our blood and brains with spirit.
If I
were on an airplane and it hit turbulence, I might think of a psalm
text I have sung hundreds of times (Psalm 27) "The Lord is my Light and
my Salvation, of whom shall I be afraid?" If life is throwing me
curve-balls, I may remember the scripture from Psalm 42, "Why do I mourn
and toil within when it is mine to hope in God?" If your memory is
like mine, I can't remember a name I just heard but I can recite
hundreds of lyrics.
Consider the gay teenager who is thinking
about suicide, might he think deeply when he sings the words "Will you
love the 'you' you hide if I but call your Name?" from the song "The
Summons," or what about the person filled with hate and prejudice when
he sings "See the face of Christ revealed in every person standing at
your side," from "We Remember."
Our songs and hymns are a
treasure trove of philosophy, scripture and poetry which has the power
to change and transform life and, singing it is one powerful way to
quickly and lastingly get it into our bones, sinew and brains. If we
are distracted by musical proficiency, performance and technical
artistry, the moment of being in the moment may pass us by.
Musicians,
back off from the mike, let the people sing, carpet living rooms not
churches, and revel in the sound of their congregation.
Musicians
don't know what they don't know and it is the churches fault for not
hiring pastoral musicians or not educating and training the ones they do
hire to be pastoral. It may be appealing to hire a young person with
an advanced degree, who can play or direct well and build a quality
music program, but does a church want a quality music program or a
congregation lusting for justice, conversion, proclamation, respiration
or community? Many music programs are like a Texas longhorn; a point
here, a point there, but a whole lot of bull in between.
People
are changing, society is changing, churches must change, too. People no
longer look to the church for social activity or entertainment. They
thirst and hunger for something more, something the church isn't giving
them. More than entertainment, they want a sense of sacred, they
thirst for simplicity and a relationship with God. They can only grow
by facing and navigating the difficulty of life - together. That takes
an apostolic church rather than an entertaining one. Instead of feeling
still and empty the way the eye of a hurricane must feel, moving dully
along in the middle of the surrounding action - which is where real life
is at. Every condition of our lives, good or bad, wonderful or
horrible, is merely the support system for the journey. There are
always people who wish to deny us our humanity but if we tell our
stories, there will always be someone who wishes to restore it. Any
church which has a focus on sin, they focus what the church is not
called to be.
Additionally, music ministry is a parish wide
ministry, a community wide ministry, not a Mass time centered
ministry. This is not to say that musicians need to put all their
feelings into their music. Musicians should not be burdened with the
responsibility of expressing themselves and demonstrate how much the
music and God means to them. That is important but whatever gift you
have, it has to be used to support what the music and Word itself is
saying, not inflict a personal view on it. Feelings should not be
injected into music as if through a syringe. You can find that in a lot
of churches and it can be distracting. Musicians must learn to
PROCLAIM the word, not interpret it. Leave interpretation to the Holy
Spirit.
To the church who is afraid to forgo entertainment in
favor of liturgy, consider the media; they only write about the sinners,
crime and the scandals, but that's normal, because a tree that falls
makes more noise than a forest that grows. That church needs to have
faith.
My friend in the opening story, after they disbanded
their folk group who refused to modify the entertainment model of
ministry, there was a flurry of nasty emails, all the folk group left
the church and the church even lost members who supported the folk
group. Two years later after creating a more pastoral music program,
they have tripled the number of people they had lost. One of the long
time members said, where once he knew all the faces he encountered
during the passing of the peace, today he is met with many and new
faces. That is something to sing about for a congregation doesn't sing
because they're happy; they're happy because they sing.
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