Buxtehude's Daughter

Should anyone be in the Albany, NY area this Sunday, I am playing an irreverent cantata called "Buxtehude's Daughter."  Here is a sample of our first rehearsal:

http://youtu.be/rGlUKxUhPIM

Byron Nilsson and Amy Prothro bring their cabaret show, “Song to Amuse,” to the very brink of the classical-music world with a special concert at 2 PM Sunday, October 5, at the First Unitarian Universalist Society, 405 Washington Ave, Albany.

 

They’re performing an irreverent cantata Byron wrote (with music by Tom Savoy) titled “Buxtehude’s Daughter,” that gives a fanciful and funny version of what might have taken place when the young J.S. Bach traveled to Lübeck to interview for an organist’s job, succeeding the great Dietrich Buxtehude. The kicker: he would have had to marry Buxtehude’s daughter to get the gig, and she didn’t appeal to him. Not a word of the piece is true. It’s doubtful the daughter sang a blues number. The spirit of it turned out to be more P.D.Q. Bach than J.S.

 

This will be performed in collaboration with members of the Musicians of Ma’alwyck, giving the cantata far more legitimacy than it deserves, but Byron and Amy also will sing some of their favorite cabaret-show selections, including songs by Bernstein, Sondheim, Gershwin, Flanders & Swann, and even Roger Miller, all with Malcolm Kogut at the piano

 

And there will be a post-performance champagne dessert buffet to help erase the memory of what you’ll have just endured. It’s an afternoon not to be missed and a great way to support Musicians of Ma'alwyck. Tickets are $35 per person and available at 518/377-3623 or www.musiciansofmaalwyck.org (under Songs to Amuse).

--
–Malcolm.

Buxtehude's Daughter, a Cantata

Buxtehude's Daughter is a spoof cantata written by Tom Savoy and Byron Nilsson about the true story of Buxtehude, his daughter and Bach.   In October of 1705, Bach, at the age of 20, secured a one month leave to go hear a musician of considerable reputation.  Bach proceeded to walk over 250 miles from Arnstadt to Lubeck to hear the famed Buxtehude perform one of his weekly recitals and, was so impressed that he forgot to go home and he stayed for four more months, greatly offending his superiors at his home church. 

The aging Buxtehude was retiring and seeking someone to take over his directing position at the Marienkirche.  The catch was that Buxtehude would only offer the job to the applicant who would marry his daughter.  She was not young (over the hill at 30), not pretty, and perhaps did not posses much of a personality. At any rate, her father was having difficulty marrying her off.  Other famed applicants for the position included Handel and Mattheson but the thought of marrying the daughter was too high a price to pay. Apparently, when sacrificing for your art, there are certain sacrifices that are too costly.  The practice of offering a daughter as part of the "benefits package" was not uncommon in those days as Buxtehude himself married the daughter of Franz Tunder, his predecessor.

When Bach eventually returned to his home church in Arnstadt, fireworks ensued.  The "minutes" of a meeting to which Bach was called to explain himself still exist today.  Bach was accused of "making music" with a "stranger lady" and he was even accused of inviting her up into the choir loft.  This was a time when women weren't allowed to sing in the choir and it was a serious breech of etiquette to make music with one.  What would the congregation think?  Not that church people are ever prone to gossip.

Buxtehude did eventually find a successor and son in law; Johann Christian Schieferdecker won the position.  He was a little-known composer who was an accompanist and composer at the Hamburg opera.  Schieferdecker also served as Buxtehude’s assistant shortly before the master died.

The Musicians of Ma'alwyck;
Join us for a wonderful afternoon of delightful, funny songs with Byron Nilsson, Amy Prothro and Malcolm Kogut, paired with the spoof cantata Buxtehude's Daughter and then enjoy a delicious champagne dessert buffet generously prepared and donated by Randy Rosette. Songs of Flanders & Swann, Stephen Sondheim, Noel Coward and others followed by Tom Savoy's and Nilsson's hysterical take on the surprise requirement attached to accepting the position as Buxtehude's successor.  Musicians of Ma'alwyck and Byron Nilsson and friends join together to present Songs to Amuse, Sunday, October 5th at 2pm.  First Unitarian Universalist Society in Albany hosts us in this special fundraiser.  An afternoon not to be missed and a great way to support Musicians of Ma'alwyck. Tickets are $35 per person and available at rwww.musiciansofmaalwyck.org

The Passion of Christ according to Mark; A Cantata

Back in 2010 I composed a Passion Cantata based upon the Gospel of Mark.  I have uploaded a copy of the score and a sampler sound clip for anyone interested in performing it.  The excerpts from the sampler are Surely Not I; In Three Days; The Arrest - Release Barabbas; Simon; The Burial.

The entire cantata is fairly easy for the average four part choir and there are a multitude of solo and quartet opportunities.   Each section is short and is repeated two or three other times within the work making the entire cantata easy to learn in a short period of time.  It took my choir four weeks.

The free sheet music and audio expert are located here:
http://www.free-scores.com/download-sheet-music.php?pdf=59963
To hear the sample, scroll to the bottom of the page and click on "Interpretation."  The other mp3 sample is a computer generated facsimile of the score.  I began and ended my concert with two congregational hymns: Crown Him With Many Crowns and Lift High The Cross.

When I performed this piece, it was for a choir concert.  I don't see many acting opportunities with the work other than in tableau form.  Although, it would make a unique operetta.

–Malcolm Kogut.